Romero’s fourth ‘Dead’ movie comes even closer than its predecessors to offering a plea for zombie rights – a plea whose satirical application stretches from America’s underclass to the Iraqi insurgency. Victims of violence are swiftly forgotten, while undead monsters hardly inspire sympathy – unless you’re a Romero ‘walker’, that is, in which case you may well have as much going for you as the chump whose jugular you’ve just torn out. Respect for the dead isn’t a concept that gets much of an airing in horror movies.
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